ARCH. RAUL ROQUE FIGUEIREDO

Great Speaker, Founder Partner Pitagoras Group, Portugal

Biography

POSITION

ARCHITECT, FOUNDER PARTNER PITAGORASGROUP, PORTUGAL

PRESENTATION

“Platform of Arts and Creativity”

The buildings that make up the Municipal Market and the space defined by them, commonly referred to as “the square”, a name inherited from market square are, as a unit, characteristic elements of the urban landscape of the city of Guimarães. The grounds of the old municipal market boasted a privileged and very central location with excellent accesses, very close to the Toural Square and the historic center.
With this project, the transformation of the marketplace into a multifunctional space dedicated to artistic, economic, cultural and social activities within the scope of European Capital of Culture 2012, allowed for the physical and functional reintegration into the urban fabric, to become a reality and so, to recover one key area of the city space. In addition, the operation extended to adjacent plots, enabling the regeneration of the interior space of the block, which was completely uncharacterized, as a result of its occupation by a marble processing industry.
The intent to recover the existing building on the eastern side, trying to promote the installation of additional commercial activities that could enhance the creation of a space with a broad scope in regards to multidisciplinary cultural activities.
The whole structure, according to the program would complement the existing equipment in the city, as well as those which are under development within the European Capital of Culture.
When interpreting the program, we aimed to allow for the possibility of each one of its components to function independently and simultaneously, creating accesses to each of the various services and support areas, as well as to the outdoor square and garden.

The new building takes a radically different language, by contrast with its surroundings, both from the standpoint of their language and image, discrete, repetitive, as well as by the succession of volumes, with full and empty, marked by the juxtaposition of contrasting surfaces. The coatings, a grid of metal profiles in brass and glass surfaces chromatised on ventilated façades, accentuates a range of textures that is intended display, more dense and opaque in the majority of faces in the case of the metal structure, and transparent when it covertly comes to glass surfaces that intentionally conceal the few openings that the building comprises.

This series of volumes and dissonant elements, which result from decomposition of the initial volume, was originated by the need to create a variety of different spaces in the exhibition area, creating a tension evident in the volume of the building and the relationship with the space of the square, making it the main feature of its design.

For the square, we formulated a proposal with a drawing significantly more aseptic and a coating with large concrete slabs, as a counterpart to the surrounding buildings, characterized as a large reception and a multifunctional meeting area, translated into a physical platform, summing its vocation as public space by nature. It will be an area purposely under fitted, with the preservation of the large trees to the east, by introducing some elements of vegetation along the north building, but leaving most of the free space allowing for the development of numerous spontaneously or organized activities, in the scope of the Platform or not. The urban furniture used in the square comprises moveable elements, allowing for a more versatile use.